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The manufacturers of Rosewood furniture oriental design have been using the centuries old Chinese predecessor-NATURAL LACQUER. It might take a little longer to apply, but it is much deeper and more beautiful than synthetic equivalents.
NATURAL LACQUER is an exudate from
the “Lacquer tree” which is indigenous to China. It is collected in much the same way as latex, is partially evaporated in the sun, and is very expensive.
After the final scraping and shaping of the first coarse sanding, a lacquer-based filler is applied to fill the characteristic open grain of Rosewoods. This takes eight hours to dry. The furniture is again sanded and a second application of the filler is made which is in turn sanded when dry, with successively finer grade abrasives. The first layer of lacquer is then applied to seal the grain. After sanding with flour paper, if the colour of the wood is to be changed, aniline dye is painted on and rubbed down. Then the polishing begins with successive application of clear lacquer. This will be after a minimum of four coating, a total of seven applications of lacquer.
The finish that results from all this hard work has some remarkable properties, not only is it heat-proof, but it is not permanently marked by a wet glass or hot wet pan. The surface is not as hard as a Polyurethane lacquer, but small scratches will polish out.
Above all, the natural quality of the finish allows it to mature with age and wear, so that when the products of today become the antiques of the future, the sun-bleached gold of Rosewood will be enhanced by the patina of the natural lacquer.
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